Postcard Origins

Era guide · 1945–present

Photochrome (Chrome) era

The modern postcard is a photograph in print: glossy, sharp, full color from a color transparency. Union Oil’s western-scenes cards of 1939 are usually credited as the start, and after the Second World War the photochrome — “chrome” to collectors — swept everything else aside.

Size splits this era usefully in two. The standard card (3.5 × 5.5 inches) dominated until about 1970, when the larger continental size (4 × 6 inches) became the norm. A glossy chrome in continental size is almost certainly post-1970; a standard-size chrome likely sits between the late 1940s and about 1970.

Curt Teich’s chrome line was Curteichcolor, marked with a K in the production number — 9BK129 is 1949, the company’s first Curteichcolor year. As ever, the decoder turns a Teich number into a year, and a postmark beats every visual clue.

A Colourpicture Plastichrome chrome-era postcard from the Postcard Origins collection: Hawaiian pineapple harvest scene
A standard-size Colourpicture “Plastichrome” chrome, c. 1963–1969 — the glossy, full-color look that defines the era. Its 3.5 × 5.5″ size places it before the continental shift around 1970; the ZIP-coded Boston imprint puts it after 1963, and Colourpicture closed in 1969. Scanned from the Postcard Origins collection
The publisher house stamp box on the same card, a tiki motif
Its stamp box, a tiki motif — a publisher house box, not a photographic-paper brand like AZO, so it names the printer rather than dating the paper. From the collection

All eras Dating wizard